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These well-known actors plus
many others have appeared at the Barn

Jonathan
Larson (1980, 1981)
Composer of the musical, Rent

Jennifer Garner
(1993)
Alias, Elektra, 13 going on 30

Tom Wopat
(from 1976 on)
Dukes of Hazard, Glengarry Glen Ross, Annie Get Your Gun

Stephen Lynch
(1993-2002)
currently on Broadway in The Wedding Singer

Marin Mazzie
(1980-1996)
Kiss Me Kate, Ragtime, Passion
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The Augusta Barn Theatre: The Magic of Summer Theater
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It all begins when a costumed young man guides your car into the grassy
parking lot. The young actor is serving double duty as a parking attendant.
When you leave your car, you join several hundred other theater-goers who
are lolling on the expansive lawns having a pre-show drink, talking in
small groups, wandering the grounds, and swinging on the lawn swings. The
sun is setting; the air is cooling down; and excitement permeates the atmosphere.
All the guests know something magic is about to happen – it’s
show time at the Augusta Barn Theatre – and this is exactly where
they want to be on a beautiful summer evening. As you enter the converted
barn, you are greeted by photographs of this season’s actors as well
as photographs of the famous and near famous who have “trod the boards” of
this theater. The ushers are also actors who will rush from seating the
guests to preparing for the opening number. The doors are open; the night
air is cool, the live orchestra tunes up, and the curtain opens to another
great performance.
For 61 years, the Ragotzy family has owned and operated the Augusta Barn
Theater, the oldest professional summer stock theater company in Michigan.
Jack and Betty Ragotzy founded the theater in 1946, and today it stands
as the only equity summer stock theatre in the state, drawing nearly 50,000
patrons annually during its 16-week season, some from as far away as Chicago
and Detroit.
With the passing of his parents, Brendan Ragotzy and his wife, the actress
Penelope Alex, have taken over the management of thi s theatrical treasure
and seek each year to expand and broaden the summer theater experience
for new generations of theater-goers.
The family-like atmosphere has continued at the Barn since its opening
days. Many of the staff have worked here for years; actors return year
after year, and patrons come back again and again to see Tom or Kim or
Eric or Scott or Joe or Penelope in yet another show.
The Ragotzy family is the tradition at the Barn. Everyone knew Jack and
Betty personally and watched Brendan grow up, marry Penelope and take over
the management of the theater. And now, the staff, actors and patrons alike
are watching the development of the third Ragotzy generation, Luke 11,
Calli 9, Jacob 6, and Melina, who is 2.
However, Brendan and Penelope are not seeking the comfort of tradition
alone. Every year, they seek to expand the theatrical repertoire, hire
fine young professional actors, and entertain adults and children again
and again. And it’s not easy. Brendan says that finding plays and
musicals to produce at the Barn is sometimes difficult because of its status
as a professional theater. They are competing for shows with Miller Auditorium,
DeVos Hall, and the Wharton Center. If a show like Rent or Les Miserables
is going to play within the next few years at any of those venues, the
Barn won’t get the rights to produce it. Brendan and Penelope are
more than anxious to have their actors do those shows and others like them,
and spend much of the winter seeking to gain the rights to produce award-winning
plays and musicals. They are especially anxious to get the rights to produce
Rent because its creator, Jonathan Larson, was a once a “Barnie”.
This year’s lineup will have wonderful theater experiences for actors
and audiences alike. The season opens with the “laugh-a-minute” two
person comedy, Greater Tuna. Joe Aiello and Scott Burkell, perpetual Barn
favorites, star in this hysterical comedy. Joe, Scott and Penelope will
also perform
in the British comedy, Out of Order later in July.
The rest of the season includes four of America’s great musicals,
Oklahoma, 1776, Gypsy and The Wizard of Oz. Kim Zimmer, the Emmy award-winning
actress on The Guiding Light, returns to the Barn to play the indomitable “Mama
Rose” in Gypsy. The season’s schedule as well as ticket office
information can be found on the back cover of the June Greater Guide.
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What makes the Augusta Barn Theatre an “Equity
house?”
The Augusta Barn Theatre is a professional theatre which means all their
actors are part of the Actor’s Equity Association, the union of professional
actors and stage managers. There are three ways for an actor to become
an Equity member: audition for and be offered a contract at an Equity theatre,
be a member of one of Equity's sister unions, such as the Screen Actors
Guild, or qualify through the Equity Membership Candidate Program, aimed
at actors and stage managers "in training," through which they
can accrue weeks of work at Equity theatres, then apply to join the union.
The Augusta Barn Theatre offers their apprentice actors the opportunity
to participate in this training program. When an actor performs for a certain
number of weeks in a professional show, they can then join the union and
work for other Equity theatres. This is why so many young actors seek to
become apprentices at the Barn. Every year, Brendan and Penelope Ragotzy
interview and audition several hundred young actors to be part of the apprentice
program.
Augusta Barn Theatre
M-96 West of Augusta
Performances Tues-Sunday
Tickets: $29
269-731-4121
www.barntheatre.com
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